Dancer In The Mist

This morning the fog was burning through a beautiful mist that hung over the water and it reminded me of this picture.  Joe McNally has said that if you put a dancer against almost any background and you will have a good photograph.  This summer when I was over in Tofino I was on the beach and I was feeling a bit sorry for myself because I had made the drive over the island in the early morning specifically to photograph in the morning light.  There was a thick cover of fog and there wasn’t any morning light.  I did get some decent pictures of Black Oyster Catchers but then this couple came by.  One of them clearly was a dancer, she moved with the grace and poise that only dancers posses and then she started to dance.  It was a truly beautiful thing to watch her dancing through the morning mists across the beach and I was so glad that I had gotten the “bad light”. 

Two other beach portraits that I have done

Grandpa Look!

Lovers

-Russell Berg 

www.seeingberg.com

Limitations

Limitations can push creativity.  I recently got a Fuji X-E2 and the only lens I have is a 14mm.  I have always been a slave to the zoom and I feel like I always feel as thought I am going to miss shots if I leave a certain focal range at home.  This means that I am often walking around with a lot of gear, and I still like the versatility that this gives me but the other day, with my new Fuji I found my creativity being pushed in interesting directions because I had some self-imposed limits.  The single prime lens became a stimulus to think about the photos that I would make in a different way and I came up with some interesting results.  In this image the sky was very dramatic and the stump provided a compelling foreground element.  With a 14mm lens you can get quite close and by stopping down the aperture to f/11 everything from one metre in front of me out to the horizon was in focus.  The light was really helping to make things dramatic and the dynamic range of this Fuji sensor did not let the front of the backlit stump lose detail in the blacks. Below I have included a little gallery of other images I got on and around this stump.

-Russell Berg

www.seeingberg.com

Variations in The Pattern

I was walking along a beach in Panama, looking for interesting patterns and textures to photograph.  I headed out of the resort are to a quieter area where the sand had not been disturbed when I saw this coconut and a large area of undisturbed sand.  There was a culvert up the beach where the runoff from the nearby village found its way to the ocean.  There had just been a large storm (check out this image of the coming storm) and the rushing rain water had pulled the sand into this beautiful textured pattern.  The human eye craves variation within patterns and I felt that I had a pretty good example of that here.  The coconut provides an interesting interruption in the lines in the sand as they pull your from the left foreground to the the right background.  The low point of view, (I was laying on the ground), and the wide angle lens, (10mm), accentuate this movement.  

-Russell Berg

www.seeingberg.com

Lovers

I was wandering around Neck Point because I came to see the sunset and make some photographs. It was a beautiful warm evening with the sun dropping into the ocean in a beautiful warm glow.  The sun had gone down behind some clouds and the showy part of the sunset was over when I saw this couple alone  on the grass.  I circled behind them and snapped a few pictures from a distance.  He leaned forward to kiss her cheek and it was the perfect instance that defined their moment together.    It is a moment filled with little intimacies, the little tattoo behind her ear, his arm around her back and... the kiss.  With the the sun still glinting in the grasses around them it is a tender moment shared by two lovers with the ocean the mountains in the background.  Henri Cartier-Bresson, an amazing French photographer, talked about finding the decisive moment that defines a situation or a personality or a relationship.  I think this moment comes pretty close to matching Cartier-Bresson’s criteria.

-Russell Berg

www.seeingberg.com

Sunlight In Her Hair

The sunlight plays through her hair and dances in the whisps that have pulled out of her braids.  She has a whole wide world in front of her and it has suddenly gotten much larger.  Her mind is reaching for and pulling in all of the new things that dance into her field of view but no one thing can hold her for long there is too much.  Then, without warning, she stops, she just stops and thinks, and walks.

A few summers ago I followed my niece around as she played on Long Beach on Vancouver Island.  She is from the prairies and everything to do with the ocean was exciting for her; she was a whirlwind of activity; running to see something new, playing in the sand then up and running again.  I got quite a few good images of her in motion but for a moment she moved slowly away from me and looked down, her hands behind her back.  Her brilliant blonde hair stood out against the blue sky and she was for a moment, still and alone on the wide wide beach.  Sticking with a subject can really pay off, I got some pretty good images of her running and moving but this photo seemed to me to have more to say, she dominates the frame but is at the same so very small and seems to have something very serious on her mind.  Finding the instances in time where the image is evocative of all of these things is the photographer’s challenge.

-Russell Berg

There is  another portrait of one of my other niece's here.​