Fixing The Window

I stood in the parking lot of a 7-11 looking at this house.  I had been out driving around looking for interesting images and this house grabbed my eye, I had done a u-turn at the next intersectionand now I had to figure out how to make the image.  I felt as though the house needed to have a very straightforward angle, nothing fancy, so I chose to shoot it straight on, so the viewer could only see the front wall of the house.  It felt almost as though this is what would have been drawn in the set director’s sketchbook when the scene from the movie called for a rundown house with some character so I wanted it to look, as much as possible like a facade so I shot it straight on.  I was also pretty sure that I wanted to end up with a square frame, I felt that it fit the visual language of the house so now I just had to choose which side of the house put on the edge of the frame.  The rather lifeless looking tree on the right side, fit into the frame better than the spruce trees on the left and they added to the mood and tone that already existed in the house.  I was also pretty sure, right from the start that the house needed to be slightly off-centre so all of these ideas came together in the composition that you see here.

-Russell Berg

www.seeingberg.com

Paul leaned forward on the ladder his position, somewhat precarious.  He felt the old gutter pipe bend and give a little more as he leaned forward.  The stairwell window had been leaking and there was now a brown stain on the plaster on the the inside wall.  He had watched the stain grow every time he climbed the stairs to his room over the last two months.  He had noticed it when it was just a small semi-circle under the moulding around the window but now it was overlapping layers of brown streaks running from the edge of the window to the floor.  In some ways it had marked the passage of time in his life better than the calendar, better than the schedule at his job assembling fences at construction sites, better than the mounting number of days that had passed since he had last spoken to his father.  But now, now it was time to fix it, now it was time to put a fresh layer of caulk around each pane.  This might stop the water from making the stain grow, but it wouldn’t stop the unending rows of construction fencing and it for sure would not make his father pick up the phone.  But… it would stop the leak.

Tulum

The voices of history whisper still in the rocks of ancient Tulum. Canon EOS 7D EF-S 17-85 at 20mm f/5 1/1250 ISO 100 −1ev

The people who built this wonderful place are no longer here. Only the tourists and tour guides wander these paths now. In the quiet moments as the day is ending and as the crowds have thinned you can still hear the voices whispering in the rocks. There is a presence in the ancient places that points forward through the mists of time and begs us to stop and look, to see the things that they have done. To hear the echoes of the stories told around fires one thousand years ago.

All of the places on the earth are the same age but there is something remarkable about visiting a place where the remnants of human activity have a kind of permanence. The ruins at Tulum, in Mexico are a beautiful example of that. We visited Tulum as the sun was starting to set and the sky was a dramatic blue but I knew that for many of my pictures there would be no better way to bring out the texture and structure of the rocks than with a black and white treatment. Changing your perspective can have such a significant change in your photographs. Simply sitting down on the ground, as I did for this photograph, can really change the way that we see it. The lower point of view makes the gives the building and imposing presence in the image. I simply cannot say enough about the ability of Nik Silver Efex Pro to help produce very interesting black and white images. The structure and contrast tools alone are worth the price of admission.

-Russell Berg