Dancer In The Mist

This morning the fog was burning through a beautiful mist that hung over the water and it reminded me of this picture.  Joe McNally has said that if you put a dancer against almost any background and you will have a good photograph.  This summer when I was over in Tofino I was on the beach and I was feeling a bit sorry for myself because I had made the drive over the island in the early morning specifically to photograph in the morning light.  There was a thick cover of fog and there wasn’t any morning light.  I did get some decent pictures of Black Oyster Catchers but then this couple came by.  One of them clearly was a dancer, she moved with the grace and poise that only dancers posses and then she started to dance.  It was a truly beautiful thing to watch her dancing through the morning mists across the beach and I was so glad that I had gotten the “bad light”. 

Two other beach portraits that I have done

Grandpa Look!

Lovers

-Russell Berg 

www.seeingberg.com

Perspective

If there is one key that I could give young photographers it is to change your perspective.  We all see the world from eye level 95% of the time.  This perspective is so ubiquitous that we are instantly drawn to images that change the point of view.  I laid down on my stomach to take this photograph and with that simple step changed a picture of some pretty flowers into something interesting.  We look at the stems as they emerge from the dirt and we can almost feel them pushing upwards.  Get high, get low, do what it takes to change your perspective in interesting ways.  The other concern I had was the very busy background so I stopped down to f/2.8 and got back far enough that I could shoot it at 200mm.  This longer focal length emphasizes and strengthens the effect of the shallow depth of field, turning the distracting background into a blurry field of dark tones.  When I took the photo I was thinking black and white because the the brilliant white petals but little did I realize how converting to B&W in Nik Silver Efex Pro would give the flowers a glow as if lit from within.

-Russell Berg

www.seeingberg.com

Beginning

The prow points out into the morning mist. Canon EOS 7D EF-S 10-22mm at f/4.5 1/30 ISO 200

A photograph needs contrast to produce an interesting image. There is something special about the contrast of colours and textures. The hard smooth wood (1) of the prow pointing off into the soft vaporous mists (2) is accentuated by the shift in colour from the warm reds and ochres of the cedar (3) to the cool blues and whites of the water and the fog (4). I pushed up the contrast and the saturation values to increase the difference between the two tonal ranges in the photograph.

-Russell Berg

Sunrise Calm

Sunrise in the mist over Sooke Harbour. Canon EOS 7D EF-S 10-22mm at 22mm f/7.1 1/500 ISO 200

There is a calm in the morning that speaks more from the still water and the mist on the horizon.  It speaks more than the quiet air and the soft light.  The beginning of the day is the beginning of all things and it is a time of stillness and potential.  The day spreads out before you with all that it may contain but in that moment, in that one moment it does not overwhelm or confound, or confuse, it is just there, waiting for us.

I slept on an old fishing boat this weekend and when I awoke this is what I saw.  It was a beautiful morning that calmed me.  I grabbed my wide angle zoom and looked for an interesting foreground.  I got down low so that the chain would grab your eye in the bottom left hand corner and pull you into the middle distance.  I loved the way that the sun backlit the edges and lines of the boat.  I underexposed the boat to emphasize the back lighting.  I also really liked the fact that their is an eagle sitting on the piling in the middle of the frame.  I did pull out my telephoto and get the eagle next.

-Russell Berg