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The gears of an 80 year old piece of farm equipment rusting in a field. Canon EOS XSi EF 50mm at f/1.4 1/5000 ISO 200 −1ev

The gears of an 80 year old piece of farm equipment rusting in a field. Canon EOS XSi EF 50mm at f/1.4 1/5000 ISO 200 −1ev

Peering In

February 22, 2013

I have to admit I was playing with shallow depth of field because I had just bought a fast 50mm lens.  I was looking for only the thinnest slices of focus and playing with that technique often at the expense of the image.  I believe, however, that when you get a new piece of equipment or learn a new technique that it is important to play with it in a kind of obsessive way as long as you can eventually pull back and find the best ways to use that technique or equipment.  I suspect that this image would have been stronger if I had allowed the beam and the bold in the foreground to remain in focus.  I do, however, really like the way your eye gets drawn into the frame.  There is a strong sense of depth and I find my mind wandering down that steel shaft into the frame to see what is hidden down there.  I like the indistinct, unknown nature of the photograph, we want to know, we want to see what’s there but we can’t.  It’s that tension that keeps us looking.

For a different look at this kind of farm equipment check here and here.​

-Russell Berg

In Still Life Tags Haying, Farm Machinery, Gear, Sprocket, Black & White, Focus, Prairies
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2009-08-01 at 00-54-47 farm machinery chain sprocket antique.jpg

Links... To The Past

October 22, 2010

Old machinery rusting away in a field has always held a strong attraction for me. EOS Rebel XSi, EFS 50mm 1.4 at f/1.4, 1/750 ISO 200

On the first morning of our Stein Family Gathering at a ’30’s haying festival in rural Alberta I woke early and started wandering around the fields.  There was a lot of machinery from the era that was in use but there was also a long row of rusting hulks that had long ago finished their part in delivering food to our tables.  I really liked the grainy texture of the metal in the links of the chain and depth of field that an aperture of 1.4 gave me made that area of texture stand out in the frame.  I also liked the way that the angles of the machinery in the top right and bottom right converge in lines that draw your eye towards the chain and then the axle moving to the left pulls your eye out of the frame.  I processed the original RAW colour image in NIK Silver Efex Pro.  It helped to emphasize the grain structure in chain links and to deepen the shadows in the bottom right and the bottom right and top right.  Silver Efex Pro produces B&W images like nothing I have ever seen.

-Russell Berg

In Still Life Tags Prairies, Sprocket, Black & White, Antique, Chain, Farm Machinery, Still Life
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We don't see things as they are, we see things as we are.

-Anais Nin

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